Potomac Theatre Project 
(PTP/NYC)
in association 
with Middlebury College
presents
GERTRUDE -- THE CRY
Written by HOWARD BARKER
Directed by RICHARD ROMAGNOLI
Featuring
BILL ARMY, PAMELA J. GRAY, ROBERT EMMET LUNNEY, ALEX DRAPER, 
DAVID BARLOW, 
KATHRYN KATES, & MEGHAN LEATHERS
Ensemble
JOELLE MENDOZA, AASHNA 
AGGARWAL, & JAKE SCHWARTZWALD
Scenic Design: MARK EVANCHO
Lighting 
Design: HALLIE ZIESELMAN
Costume Design: DANIELLE NIEVES
Sound Design: 
CORMAC BLUESTONE
Press Representative: DAVID GIBBS/DARR Publicity
Atlantic Stage
330 West 16th Street
New York, NY 10011
(866) 811-4111 or www.PTPNYC.org
July 15 through August 5, 2014
This play unfolds in and around 
Elsinore, in the present. Yes, the Elsinore of Hamlet. And yes, the Gertrude who 
was Hamlet’s mother. Playwright HOWARD BARKER has turned Shakespeare’s Hamlet on 
its head, then shaken and stirred, then put the blender on “whip”, letting the 
modernized characters take you to places you’ve never dreamt of, even in your 
wildest dreams. Gertrude is a sex-machine, and Claudius (brother of her murdered 
husband) is all over her like a rash. Everywhere, anywhere, it’s time for him to 
unbuckle and for her to hike up that mini-skirt. Even funerals are suitable 
venues for lust. Pretty exciting stuff.
Although in modern dress (and 
undress), the characters speak in classical tones reminiscent of Shakespeare’s 
cadences. Hamlet is already mad, in the British sense, and he is angry, in the 
American sense. Gertrude is cold and controlling which seems to excite men even 
more. Men, plural. She really has no limits when it comes to lust. It doesn’t 
hurt that she is quite beautiful as well.
Humor also floats through this 
tsunami of sex. Hamlet often seems a bit like Dagwood in his cluelessness and 
confusion. His grandmother disapproves of all these goings-on, but rolls with 
it. Shrug. She gets a few zingers in when she can. 
HOWARD BARKER enjoys 
grabbing great texts of the past and turning them inside-out to investigate 
their underlying assumptions and comment on the social mores of the past and the 
present. With GERTRUDE he has created a real psycho-sexual 
masterpiece.
-Karen D’Onofrio-